Halide Mark III for iPhone promises better picture quality and more realistic RAW

For iPhone photographers seeking alternatives to Apple's computational photography approach, Halide Mark III introduces a fundamental shift in image processing. Unlike typical camera apps that apply filters after capture, Halide's new system replaces Apple's entire imaging pipeline with customizable algorithms. This third-generation release focuses on delivering more authentic photographic results through three distinct processing approaches.

The core innovation lies in Halide's "looks" - preset processing algorithms that fundamentally alter how images are rendered:

1. Standard iPhone Processing: Functions as an advanced replacement for Apple's native camera app while offering additional manual controls
2. Process Zero II: Radically reduces computational processing for natural-looking results. Now supports both HDR and RAW capture, preserving maximum image data. ProRAW files captured through Halide bypass Apple's typical multi-layer processing stack.
3. Chroma Noir: An entirely new black-and-white rendering engine designed to mimic analog film's tonal response, particularly in how it reproduces highlights and shadow detail. This mode demonstrates Halide's film-emulation approach.

Compared to Halide Mark II, the update delivers significantly refined processing for natural color reproduction and expanded RAW capabilities. The app provides granular control over exposure, focus, and white balance while maintaining Apple's hardware-level image quality advantages.

Pricing follows Halide's established model: existing Mark II users receive the upgrade free, while new users can choose between a $19.99/year subscription or $59 lifetime purchase. The preview version is currently available through the App Store, with final release expected in coming weeks.

This update specifically targets photographers dissatisfied with Apple's aggressive computational photography who prioritize authentic rendering over algorithmic optimization. The RAW implementation will appeal to editors wanting maximum flexibility in post-production, while Chroma Noir caters to monochrome enthusiasts seeking film-like tonality.